“These photographs are filled with the visual equivalent of linguistic leaps of allusion and reference. They overflow with double entendres, puns, and metaphors. Like poetry, the images first disorient and then reorient the viewer’s point of view. They change us-- when we stand before them, the pictures don’t move; we do.

Farb's drama, implicit in a single image, is techtonic in scale and has been measured microscopically. It’s as if his photographs provide us with x-ray vision, opening to our eyes the ground we stand not only on, but simultaneously in.” - Russel Banks